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That’s My Boy!

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TITLE: That’s My Boy

COUNTRY OF ORIGIN: United Kingdom

GENRE: Sit-com

CHANNEL: ITV

YEARS: 1981

NUMBER OF SERIES: 5 including Christmas specials

WRITTEN AND CREATED BY: Pam Valentine and Michael Ashton

  • Molly Sugden- Ida Willis
  • Christopher Blake – Dr Robert Price
  • Jennifer Lonsdale – Angie Price
  • Clare Richards – Mrs Price
  • Harold Goodwin- Wilfred Willis
  • Deddie Davis – Miss Parfitt
  • Thelma Whiteley – Mrs Cross

PLOT: No-nonsense housekeeper goes to work for a young doctor and his wife. The doctor and housekeeper have an instant dislike towards each other – until the housekeeper discovers that the doctor is the baby she gave up for adoption almost twenty eight years ago…

There are some comedies that stand the test of time and are repeated over and over again to be enjoyed by new generations of viewers. Then there are comedies that fade into obscurity and are never mentioned again. Eighties sit-com That’s My Boy is an example of a comedy show that fits into the latter category. But if anyone thinks that’s a sign that it wasn’t very good or watchable – think again!

Over the years, I was vaguely able to recall a comedy show from my childhood that featured a young married couple with an older lady, who I guessed was some kind of live-in housekeeper. However, I could never remember the name of the show, and moreover,  I’d never seen it on TV since it was first shown, and I don’t remember anyone even mentioning it. I was beginning to wonder if I’d imagined it (like so many things from my childhood!)

A few of the things that I could recall were the appearance of the married couple’s flat; that the older lady looked like  Mollie Sugden;  the husband was very handsome, and whenever I thought of this comedy, I always associated it with the colour blue! I later realised that the older lady was indeed Molly Sugden, and that the blue association was because the opening and closing credits of series one to three featured a sketch of the apartment building where the trio lived with a sky blue background and also because Mollie Sugden’s character, Ida, often wore blue.

Despite there having been five series of That’s My Boy, my memories of this sit-com were a little on the hazy side but I did think about the sit-com over the years and was thrilled to have the opportunity to sit down and spend some very pleasant evenings (and weekend mornings!) watching this show all over again. I was amazed to learn that I was actually able to recall certain scenes and episodes, although I didn’t remember Wilfred or Mrs. Price, and neither did I remember the move to Yorkshire. I was also surprised to hear that it was shown on Friday nights, as for some reason, I remember That’s My Boy being shown on Sunday afternoons (?)

THE STORY SO FAR…

When Yorkshire-born Ida Willis turns up at the Muswell Hill flat belonging to Dr Robert Price and his wife Angie, a model, to work as their new housekeeper, she and Angie instantly become friends. Unfortunately the same can’t be said for Ida and Robert who appear to loathe each other on sight. However all that changes one afternoon when Ida confides in Angie about the baby boy she gave up for adoption called Shane. After showing each other baby photos of Shane and Robert, Angie and Ida are dumbstruck by the realisation that the baby is one and the same – meaning that Robert is Ida’s long-lost son, Shane!

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Had this been a soap opera, this storyline would have been drawn out for several months (or years) with plenty of tears, tantrums, sobbing into bottles of wine, with shrieks of ‘you ain’t my muvva!’ once the secret was revealed but comedy handles such a heavy topic in an altogether light-hearted manner with much hilarity that doesn’t see Robert scarred of life or going on a killing spree! The realisation that they are mother and son doesn’t make them become best friends overnight. Ida tries hard to be a mother to Robert, but she still grates on him, especially when she insists on calling him by his birth-name Shane. And Ida isn’t afraid to give Robert/Shane a piece of her mind when she thinks it’s called for.

Much of the humour is provided by Ida’s wayward brother Wilfred and the power struggle between Ida and Robert’s ‘other mummy’ – his adoptive mother, Mrs Price, an upmarket widow who is as far removed from Ida as you can get. The two naturally don’t get on as they battle to become the number one  ‘mummy’ in Robert’s life, but there are times when the two have to form an alliance, especially when it’s in the best interests of their son.

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But Robert and Ida do indeed bond and it is delightful to watch their relationship develop. Robert becomes very protective of Ida and when attending the wedding of Ida’s niece, it’s really heart warming to see Robert affectionately declare Ida as his mother. What was probably slightly unusual was the relationship between Ida and her daughter-in-law, Angie. A typical situation would have seen glamorous model and actress Angie, snobby and aloof who seriously clashes with her newfound mother-in-law. But then Angie doesn’t get on with her other mother-in-law Mrs. Price so I think it was clever of the writers to create a different scenario where instead of being the archetypal interfering mother-in-law, Ida is a friend and an ally to Angie.

And later on in the fourth series, when the family leave Muswell Hill and move to Little Birchmarch in Yorkshire after Robert secures the post of village doctor, we meet the dithering Miss Parfitt, Robert’s mousy receptionist.

WHY I LOVE IT:

One thing that’s dawned on me after watching That’s My Boy! is that I seem to be a fan of sit-coms that are not considered ‘classics’ or that most people might have forgotten. Fawlty Towers, Only Fools And Horses, Open All Hours etc. are firm favourites with me and my family and are undeniably terrific, but I really do think that there’s something good and a lot of fun to be had in watching the lesser repeated comedies.

That’s My Boy is  a wonderfully pleasant comedy and one of the reasons why I think it works is because of Mollie Sugden’s immensely likable and highly amusing performance. Mollie is in good form and relies on her genius for visual expression and excellent timing. She is a wonderful actress with great screen presence and her portrayal of Ida is no exception. For most people, Sugden will always be best remembered for her role in  Are You Being Served? but it’s very easy to forget the other great roles she played with Ida being a good example with her witty one-lines and hilarious put-downs – this is a lady who has an answer for everything!

Another reason why I think That’s My Boy is fantastic is because of the rapport that Mollie Sugden has with the supporting cast and the likeable characters they play. All the characters work brilliantly together, with the supporting cast acting as a backdrop for Ida to bounce off.

I enjoyed the  warm yet amusing storylines that kept the audience laughing throughout.. I found each episode to be hilarious and enjoyable to watch.  watch them you won’t get them any more today. The theme tune may consist solely of the lyrics “that’s my boy, that’s my boy. Lalalalalalala…” the upbeat tune somehow suits the show well, and after hearing it just a couple of times, the tune will never leave your head. That could either be a great thing or an annoyance – for me it was a great thing.

I found That’s My Boy to be a very pleasant comedy but wondered how it would be received today. Certain quotes and the play on stereotypes would not be acceptable today as it would be considered racist or homophobic. And I did wonder if That’s My Boy could be considered light-hearted family entertainment with all of Robert and Angie’s saucy antics – but then again, I think today’s kids are exposed to a great deal more!

I do think it’s quite a shame that That’s My Boy never reached the great heights I feel it should have and has more or less disappeared. I also can’t understand why it was hardly ever repeated after it was first shown on TV. But I’m so glad that I discovered this little nugget of TV gold – definitely what I call comfort food television and I will most definitely be watching it again.

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30 YEARS OF EASTENDERS: EVERYONE’S TALKING ABOUT IT

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It’s impossible to have failed to notice that EastEnders is about to turn thirty. It’s unbelievable! I remember being a kid and watching the trailers for a new BBC series that was about to hit our screens in which a host of characters introduced themselves and their families. At the time I was too young to understand what was happening, but looking back it’s very obvious that hopes were high that this soap was going to be something huge – and it was! Thirty years on, EastEnders is still going strong but it’s so surreal to think that there are people under thirty who will never have known a time when EastEnders wasn’t on the box.

When the Cockney soap, which is set in the fictitious London borough of Walford, was first screened, it was only shown twice a week: on Tuesday and Thursday evenings at 7:30. As the show gained in popularity, I began to look forward to Tuesdays and Thursdays which became known as EastEnders days, and felt quite bored on Mondays, Wednesdays and Fridays – which became known as Wogan days – because there wasn’t anything worth watching. Unless Terry Wogan had some interesting guests on!

In the early days, EastEnders centred primarily around three families: the Beales, the Fowlers, and the Watts. It was only when the character of Dot Cotton was introduced several months later, did the Cotton family become another well-known family in the Square – although many would say that it was for all the wrong reasons!

Over the years, EastEnders went through periods where it was gripping, unmissable stuff to times where I’d rather have a nap than tune in to what was happing in Walford. In fact from early 2011, I pretty much stopped watching the soap – something I never thought would happen. It was a combination of ridiculous storylines, dull characters, and awful actors that just made me want to switch off. And I know that I wasn’t the only one who felt that EastEnders had lost the plot. But I have to say that in recent months, the show’s gotten to be very interesting again, and it takes me back to the days when EastEnders was nothing less than brilliant. But whether I tuned in regularly or not, one thing was for sure – that missing the Christmas Day episode of EastEnders was not an option! It has been a family tradition for so long, and it doesn’t matter what we’d be doing but everything stopped as soon as we heard the familiar opening bars of the EastEnders theme tune. My Aunt and Uncle have been having huge Christmas bashes at their house for years but as soon as it was time for EastEnders, everyone would huddle in their front room; it was an episode not to be missed.

The dominant storyline right now in EastEnders is the murder of Lucy Beale whose killer is going to be unmasked during the week of live episodes – and we cannot wait. It’s absolutely exciting stuff and I’m so glad that EastEnders is back on form. So to celebrate this momentous occasion there’s going to be a host of EastEnders-inspired blog posts honouring this legendary soap and having us skipping down memory lane. In this post, we’ll look at thirty factors that make EastEnders what it is…

1. THE QUEEN VIC

The Queen Victoria public house is the hub of Walford and was named after er, Queen Victoria. It’s where the locals meet and have a night out. And if any of the residents are having a wedding, funeral wake or christening, you can be sure that they’ll hold their event at The Vic. And let’s not forget it’s also been the venue for many a showdown, bust-up and shocking revelation!

When EastEnders first began, The Queen Vic was home to the Watts family. Since then it’s been owned by the Mitchells, the Butchers, and run by Kat and Alfie. Nowadays it’s very much the domain of the Carters.

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2. THE LAUNDERETTE

It appears that no one in Walford actually owns a washing machine, so they’re always popping into the laundrette with bags of laundry, keeping Dot busy with service washes. It’s also quite bizarrely something of a meeting point and quite a few argy-bargies have taken place there. A bit like the Vic but without the drinks!

Dot has always worked in the laundrette and she used to work there with Pauline Fowler. However the often-mention Mr.Papadopolous, the laundrette’s owner whose name cannot be pronounced by Dot, rarely appears on screen.

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3. THE CAFE

It was first owned by Sue and Ali Osman, a couple who made Den and Angie look like Terry and June. It was later taken over by Kathy Beale who thought that Walford needed something a little upmarket and transformed the day-time café into a late-night bistro. But I don’t think the locals were fooled – it was still the café! Today it’s owned by Walford’s answer to Alan Sugar, Ian Beale. It’s the place where everyone meets, especially when they have private matters to discuss, because let’s face it, there’s not much chance of anyone overhearing your conversation in the café!

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4. THE FRUIT AND VEG STALL

It may just be a humble fruit and veg stall but it’s been a part of EastEnders from the very beginning and you just can’t imagine Walford without it. The fruit and veg stall has been in the Beale family for years. Viewers first saw it run by Pete Beale with help from his then wife Kathy and son Ian. After his death, the stall was run by Pete’s nephew Mark Fowler for years, and it’s currently Pete’s grandson Peter who now works the stall. Although most of us tend to visit the supermarkets for our five a day, the Walford locals won’t think of going anywhere else for fresh fruit and veggies.

Who’d have thought the stall could be a nice little earner?

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5. THE MARKET

I remember when Angie Watts used to head ‘up west’ on many of her numerous shopping expeditions despite having a market on her doorstep. These days, the market seems to be the only place the locals will shop. They buy just about everything there including outfits for a night out. And many of the Square’s residents have been market traders at one time or another including Sanjay and Gita Kapoor, Bianca Jackson, Stacey Branning, Zoe Slater, Kat Moon and Ronnie Mitchell’s long-lost daughter Dannielle.

And who could forget slimy market inspector Richard ‘Tricky Dicky’ Cole? A corrupt lothario, Richard was more concerned with trying to get into the pants of the female population of Walford than the stall holders selling them! And when he wasn’t on the look-out for new conquests, he wasn’t averse to taking a few backhanders from stall-holders. Of the monetary variety of course but there were a few times he got himself a well-deserved slap!

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6. THE CAR LOT

Even though it’s now owned by Max Branning and was previously run by David Wicks and Roy Evans, whenever I think of the car lot, I still think of Frank Butche as he’s the one who opened the car lot in the square. It may just seem like an ordinary car lot but if the walls of the portacabin could talk, it would have more than a few stories to tell: romantic trysts, dodgy deals, vicious attacks… it all took place here. And that’s before we even get to Frank torching the place as part of an insurance scam in which a homeless man was killed.

I still remember the episode where a few of the Square’s residents went to Spain and David Wicks picked up Sam Mitchell in a bar not realising who she was. She then told him about the car lot her father-in-law used to own.

“But it’s not like the car showrooms you have,” Sam said, “it’s just a tatty little  car lot.”

“Yeah, I think  know what you mean,” David smirked.

Indeed you did, David. Indeed you did!

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7. THE ARCHES

The Arches – a garage – was what brought the Mitchell brothers, Grant and Phil, to Walford, and it was always considered Mitchell territory. Well at least until recently when Max Branning conned Ben Mitchell into signing it over to him. Like many of the establishments on the Square, The Arches have witnessed it’s fair share of drama including Ricky Butcher and Natalie Price conducting their affair behind Bianca’s back; Ben Mitchell undergoing a personality transplant and attacking his friend Jordan, and that fight between Phil and Grant after Grant discovered what Phil had been getting up to with Sharon for months. mechanics who have worked there included, Phil, Grant, Ricky, Gary, Minty, Jase and Ben.

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8. ALBERT SQUARE

I don’t know why but for a long time, I thought that ‘Albert Square’ referred to the little bit of enclosed greenery where the residents often sit and mope. But it isn’t – that is actually the Square’s gardens. Albert Square refers to the row of terraced houses where most of the residents live and it is named after Prince Albert. The Beale family live at number 45, which used to be home to the Fowler’s when the show first started. The Masoods live at number 41; Phil and Sharon are at number 55; Patrick Trueman resides at numbers 19-20 with Kim and Denise, while Ronnie and Roxy live at number 27. And of course The Queen Victoria is the focal point of the Square.

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9. THE GARDENS

The gardens are central to the Square and it houses Arthur Fowler’s bench which was placed there in his memory. There is hardly an episode that goes by when someone isn’t sat on that bench – known by viewers as the Bench Of Tears –  crying, brooding, sulking, moaning or threatening another resident. Though as they all have houses on the Square it’s not quite understood why they can’t do all the above from the comfort of their own home and not publicly out in the Square!

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10. THE MORE-THAN-EXTRA EXTRAS

The Queen Vic’s resident barmaid Tracy has been in EastEnders for years. The pub is always changing hands but it doesn’t matter who the new owners are – Tracy stays! Then there’s Winston who runs one of the stalls in the market who’s been in EastEnders since 1986 – who my family absolutely loved and cheered when he made an appearance.

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But get this Tracy and Winston aren’t members of the main cast but humble extras. They’re often seen whenever there is an important event in EastEnders and every now and again, they may get the odd bit of short dialogue. Tracy did have a (speaking) part in a storyline that was fairly major (for her) when she was attacked by Sam Mitchell as Sam dug up the body of Den Watts on Dennis and Sharon Rickman’s wedding day. That’s the closest she’s ever got to having a role in a major storyline and there are often calls from the public to give both Tracy and Winston more prominent roles – and I agree.

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And we can’t forget Big Ron played by actor Ron Tarr. Big Ron appeared in EastEnders since 1985 but was never given a main role. I remember that in the 1990s, a TV mag even had a campaign for Big Ron to get a bigger slice of the action but it never happened as Ron Tarr passed away in 1997 after battling cancer.

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11. THE FOWLER HOUSE

Just like The Queen Vic, 45 Albert Square stands the test of time – and is probably the only house where people tend to enter via the back door rather than the front! Now owned by Ian Beale, at the start of the show it was still very much the residence of Ian’s grandmother Lou Beale who lived there with her daughter Pauline and her family. Back then the house seemed very small, cramped, and extremely dated, but nonetheless it had a certain charm to it. Of course when Ian bought the house, he set about making changes, turning it into the more roomy, modern pad that it is today.

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12. THAT THEME TUNE

Composed by Simon May and Leslie Osbourne, the Eastenders theme tune is easily one of the most recognizable theme tunes around. Producers had requested May to come up with something melodic which would “bring people in from the kitchen or garden” – and that’s exactly what they got. The theme tune is so iconic that people know the show is starting when they hear it without having to look up. I don’t think there’s anyone who doesn’t whistle or hum that tune every now and again.

In 1986 the theme was turned into a song called Anyone Can Fall In Love sung by Anita Dobson who played Angie Watts,which reached number 4 in the charts.

The EastEnders theme tune has undergone a few tweaks and changes over the years although it has generally been kept as close to the original as possible. During the mid-nineties, the theme tune underwent a major revamp which didn’t go down too well with viewers, so it went back to the original tune.

13. ‘DOOF DOOF’ SCENES

Every EastEnders fan is familiar with the ‘doof doof’ scene. It’s that famous drum beat that can be heard at the end of the last scene which signals that the episode has finished and that that famous theme tune is about to begin. This type of scene is now synonymous with EastEnders.

It wasn’t until the late nineties that I realised that this type of scene actually had a name. It was Tamzin Outhwaite, who played Melanie Owen, who said in an interview that cast members naturally wanted to be in the ‘doof doof’ scene, especially if it featured a cliff-hanger. The scene got its name from the sound of the drum beats that sounded like ‘doof doof.’

I was impressed that the scene actually had a name!

14. THE OPENING CREDITS

The opening title sequence of Eastenders is as well-known as its theme tune. It’s been revamped a few times but it’s essentially a map of the East End of London. It starts by zooming in on the River Thames before panning out to give an ariel view of London. Easily one of the most iconic opening sequences.

15. CHRISTMAS EPISODES

There were always two things we had to do on Christmas day without fail. The first was go to mass, and the second was to watch the Christmas day episode or episodes of EastEnders. This was something we always looked forward to, and it didn’t matter whose house we were celebrating Christmas in, as soon as we heard that familiar theme tune we dropped whatever it was we were doing and gathered in front of the telly. Not only was it a family tradition, but we also knew that the Christmas day episode was one that was guaranteed to have us on the edge of our seat. Yes, the public often complained that the episodes were often depressing and full of misery and often featured someone dying, but most of us found them to be full of drama and either featured a whopper of a cliff-hanger or resolved one.

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16. WHODUNITS

Anyone would think that Ms. Marple resided in Albert Square with the number of murders, attempted murders and other crimes that take place. The very first episode of EastEnders opened up with the murder of Reg Cox and these whodunits have been keeping us enthralled for years. There was the shooting of Phil Mitchell (the first time) the murders of Dennis Rickman, Eddie Royal, Archie Mitchell and we’re currently gripped by the mystery of who was responsible for the death of Lucy Beale which is going to be revealed very soon.As with the murder of Archie Mitchell, many of the cast members only found out at the same time that the public did in a live episode – and that’s exactly what’s going to happen when the Lucy’s killer is going to be unmasked.

And let’s not forget there are whodunits of a different variety, which have nothing to do with crime,  where pregnancies are involved where viewers are trying to work out who the baby’s father is as in the case of Michelle Fowler’s, Laura Beale’s and Heather Trott’s pregnancies. There was also one occasion when viewers had to work out who a positive pregnancy test belonged to with suspicion falling on the Fox-Wicks women.

It eventually turned out to be Dawn Swann’s.

17. THE NEIGHBOURING STREETS

Although most of the residents live on Albert Square, many of the small businesses are based in neighbouring streets such as Turpin Road, Bridge Street, and George Street. These places are often mentioned by the characters.

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18. JULIA’S THEME

Julia’s Theme is named after the show’s creator, Julia Smith. It is used in place of the regular theme and emphasizes a particularly emotional event such as a character leaving or dying. Each episode normally ends with the ‘doof doof’ drum beats, but with Julia’s Theme, the ‘doof doofs’ are replaced with a slow melody played on piano.  Julia’s Theme has been revamped a number of times, so there are different versions of this tune. Sometimes the beginning of Julia’s Theme is used as the intro to EastEnders‘ main theme tune.

I remember Julia’s Theme being played when Lofty proposed to pregnant Michelle Fowler, after Debbie Bates had been killed in a road accident; as Cindy Beale fled to Italy with her sons and was forced to leave her daughter behind; while Sharon watched Phil and Kathy embrace on their way home from France, and when Jim Branning proposed to Dot.

19. THE TRAILERS

Right now we’re all a bit spooked after watching the trailer promoting the unveiling of Lucy Beale’s killer. But spooked or not it’s a fantastic trailer, and you can’t expect anything less from the show who release great trailers whenever a major, new character is about to descend on the Square, a new storyline is about to hit, or when an old face returns. I especially liked the ‘Everyone’s talking about it’ slogan which accompanied some of the trailers.

Trailers were used when Kat and Alfie returned to the Square, just before Archie Mitchell’s killer was revealed, for Den Watts’s shock return, the Zoe, Dennis, Sharon love triangle which exploded on Christmas Day, the murder of Den Watts, Sharon’s return, and the arrival of the carter family.

20. SUNDAY OMNIBUS

When I was growing up, we all looked forward to the omnibus edition of EastEnders where Tuesday’s and Thursday’s episodes were repeated for those who had missed them. Well I say we all looked forward to them, but I’d say it was probably us kids who looked forward to the omnibus (nicknamed the ‘lonely bus’ by my brother) because we would watch it whether we’d seen the episodes during the week or not! I’ve lost count of the times Mum or Dad would walk into the living room see us all glued to the TV and exclaim, “But you’ve already watched this!” That’s right and now we’re watching it again! The EastEnders omnibus was the perfect lazy Sunday afternoon.

In more recent years, there has been a change in the scheduling of the omnibus but it has now emerged that the BBC are going to scrap the Sunday omnibus from April of this year, as the thirty day catch up on iPlayer means that broadcasting the omnibus is no longer necessary. I agree but it’s sad to lose this classic Sunday afternoon tradition.

21. THE FAMILIES

EastEnders is just about people being miserable; growling at each other; screaming their heads of in the market, or starting fights in The Vic. No EastEnders is all about family and the importance of familial relationships –  or perhaps I should say faah-mily! During the last three decades there have been many prominent families who have made their mark in Albert Square: The Watts; the Fowlers; the Beales; the Mitchells; the Jacksons; the Butchers; the Slaters;  the Wicks; the Brannings; the Moons; the Masoods, and now the Carters.

In each of these households there’s usually a fairly loud-mouthed matriarch who comes across as bossy, domineering, interfering and in danger of suffocating their children. But at the end of the day, to these women, family is everything. Who can forget Pauline Fowler bleating on about the importance of family? Or Peggy’s famous, ‘You’re a Mitchell’ line. I even heard Cora Cross tell Tania that she’s ‘a Cross’ but sorry – it doesn’t have quite the same ring to it as the Mitchell line!

Of course there were some families who couldn’t quite cut the mustard and were sent packing. When you think of the great families who graced the Square with their presence, who thinks of the Kapoors, the Ferreiras, the Di Marcos or the Flaherty family?

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22. THE PETS

It’s not just the characters who have endeared themselves to the public, but we’ve also grown quite attached to the four-legged, furry creatures that have appeared in the Square. Wellard, Roly, Freida, Ghengis, Terrance, Bella and Betty – we loved them all. And during the eighties, we were asking everyone if they’d ‘seen my Willy?’

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23. FAMOUS FACES

A few famous faces have popped up in Walford either as a cameo or a guest role. There was Robbie Williams using the phone in The Vic; Goldie played a gangster; Susan George appeared as Terry Raymond’s love interest; Bobby Davro played Shirley’s on-off boyfriend, and Madhur Jaffrey appeared as the Ferreira matriarch. Mike Reid, Shane Richie, Phil Daniel, and Samantha Womack are long-established actors or comedians  who had or have long-term roles in the soap. And of course after Barbra Windsor started her role as Peggy Mitchell, no one ever saw her as the girl from the Carry On movies again!

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24. CROOKS AND GANGSTERS

As the East End is Kray’s territory, it goes without saying that there have to be a few major league villians. Phil and Grant Mitchell might have fancies themselves as a couple of tough nuts but compared to the likes of Jack Dalton, Johnny Allen, Andy Hunter, Steve Owen, George Palmer, not to mention Den Watts’s associates, they were pretty much small fry!

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25. TWO-HANDERS

I don’t think I’ve ever seen another soap opera do a two-hander: an episode which has only two characters. The very first one I remember was back in the eighties and it featured Den and Angie Watts. Den announced that he was leaving Angie for his mistress Jan and Angie played her trump card, telling Den that she only had six months to live. Another memorable two-hander was when Michelle Fowler finally told Sharon Watts the truth regarding Vicki Fowler’s paternity. Other two handers have included episodes featuring Den and Sharon, Phil and Grant, Dot and Ethel, Max and Stacey among others.

There have also been three-hander and four-hander episodes too. The episode featuring Phil, Grant and Sharon after Phil and Sharon had slept together for the first is particular memorable, as is the episode featuring Grant and Michelle, and David and Cindy in two different sub-plots where the two couples, er get it on!

The reason for these two/three/four hander episodes was that it sped up the filming process, and while the two actors were filming the two-hander, the rest of the cast could be filming another episode. These special episodes look like mini-plays and are a pleasure to watch as it relies usually on just one storyline and a limited number of actors, and it’s very clever of EastEnders to come up with that.

Incidentally, there has only ever been a single one-hander episode in the show’s entire history which featured Dot Cotton.

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26. GRITTY REALISM

EastEnders isn’t one for shying away from hard-hitting social issues. It’s tackled storylines involving cot death, homophobia, prostitution, rape, mental health issues, HIV, paedophilia, child abuse, teenage pregnancy, drug abuse, domestic abuse, alcoholism, racism… the list is endless.

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27. RATINGS WARS WITH CORRIE

There were other soap operas around when I was growing up, but when it came to ratings, it seems that it was firmly between Coronation Street and EastEnders. The Sunday papers would always show who’d hit the top spot in the TV pull-out section and it would alternate 9or so it seemed) between EastEnders or Corrie. The others didn’t even get a look-in!

28. COCKNEY ACCENT – WITHOUT THE RHYMING

You can’t have a soap set in the East End of London and not expect to hear a few Cockney accents. And being a real-life Eastender myself, I’ve always said that Cockney accents are the most endearing in the world – although I’ve never used rhyming slang, and it very rarely features on the show. I hardly ever hear real-life Cockneys use it so it just wouldn’t be realistic.

Of course in recent times, there have been complaints that the EastEnd just isn’t Cockney enough and there are too many different regional accents. But then anyone who’s ever lived in the East End will know that it’s not just Cockneys who live there. There are people from other parts of the country and of course other parts of the world. My complaint is that I don’t hear Cockney accents enough where I live and I’m sure that the show is reflecting the diversity of the area.

29. THE CHIPPY

You can’t have an East End district without a fish and chip shop so thank goodness for Beale’s Plaice – although when Ian first purchased the shop, no way was it to be called a chippy. Ian was aiming for the rather more upmarket sounding ‘fish restaurant’!

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30. THE AWARDS

To say that EastEnders is an award-winning soap is something of a understatement. So far it has won around 316 awards (roughly ten a year) and just like in the ratings wars, it often goes head-to-head with Corrie for the Best Soap category.

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Posted by on February 12, 2015 in TV Shows

 

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Ten British TV Comedy Theme Songs We Sang Along To

The first post of 2015! yay! I hope everyone’s new year has got off to an amazing start.

One of the best things about growing up in Britain is the multitude of comedy shows that this country has produced over the years, many of which have gone on to become classics and are well known all over the world. As much as I enjoy sitcoms, comedy shows, and stand-up from any country – just as long as it’s funny – nothing beats the British sense of humour, which explains why I love so many of our sitcoms. Only Fools And Horses, Fawlty Towers, One Foot In The Grave, Keeping Up Appearances – all fantastic!

However with many shows, it’s not just the show, the characters and the actors that are memorable, but most come complete with intros, opening and closing credits and theme tunes that stick in your mind. They’ll having you singing along with the beginning and end of each show, and it’ll probably have you singing the theme song for days. I still can’t get some of these theme songs out of my head years later!

So I’ve compiled a list of ten of the most memorable theme songs from British comedy series. There are a few comedies here that have been locked away in the ‘long lost’ vault but they’ve thankfully been found and I’m sure they’ll have you going, “Oh yeah! I remember that!” And for those of you who noticed that some of your favourite theme tunes were not mentioned in Ten TV Show Theme Tunes We Loved Singing Along To, just remember there’ll be plenty more lists cropping up in the future!

1. Dear John

TITLE: Dear John

COMPOSED BY: John Sullivan (show’s writer) and Ronnie Hazelhurst

SUNG BY: Joan Baxter

YEAR: 1986

No, not the film with the delicious Channing Tatum, but the seriously underrated BBC sitcom of the 1980’s starring the late Ralph Bates as a divorcé who joins a club for the divorced and separated in the hope of making friends and finding love. Much of the humour comes from the bunch of oddballs he befriends. The Americans did a remake of this series which lasted four series but I much prefer the British version. Sorry!

Dear John is a comedy which is very dear to my heart and brings back lots of memories, not just of the show but of my childhood and the eighties in general. I recently came across some comments which stated that the theme song for Dear John was probably the most depressing and dreary of all the theme songs out there. Well now that they mention it, I suppose it is. But then when you think that the show is about a divorced man who has lost everything to his ex-wife after she ran off with his best friend and now has to live in a tiny bedsit, well we couldn’t have a theme tune that got us up and dancing now, could we? The song fits in with the ethos of the show. Because it has a 1920s feel to it, I assumed that it was a really old song but it was actually written by the show’s creator John ‘Only Fools’ Sullivan.

Fantastic song!

2. The Vicar Of Dibley

TITLE: The Lord Is My Shepherd (Psalm 23)

COMPOSED BY: Howard Goodall

SUNG BY: Christ Church Cathedral, Oxford

YEAR: 1994

How I love this comedy! Beginning in 1994, Dawn French is amazing as the female vicar who takes over a parish church in the heart of a rural community – and finds that many of her new parishioners have more than a few eccentricities between them. I watched the trailer for the show and thought it looked quite funny – I wasn’t wrong and I wasn’t disappointed!

When you think about The Vicar of Dibley, you think about three things: the stunning countryside; the barmy characters, and that distinctive theme tune, The Lord is my Shepherd by Howard Goodall, who has also worked on the themes for Blackadder, The Borrowers, Red Dwarf, and Mr Bean among many others. The theme song was based around Psalm 23 and was performed by the choir of Oxford’s Christ Church Cathedral. Originally Goodall had composed this song as a serious piece of church choral music – it hadn’t initially been intended for use as the theme of a hit comedy show. But more than twenty years later, viewers can see that the enchanting theme song fits in beautifully with the series.

Oh, just remembered a fourth thing: the joke between Alice and Geraldine at the end of every episode!

3. Butterflies

TITLE: Love Is Like A Butterfly

SUNG BY: Clare Torry

LYRICS: Dolly Parton

YEAR: 1974

This show was a bit before my time so I don’t remember it the first time round but I do remember watching Butterflies when it was repeated. It starred Wendy Craig and Geoffrey Palmer who were familiar faces to me, but then I saw a very young Nicholas Lyndhurst who was more than just a little familiar – he was ‘Rodders’ from Only Fools And Horses! Carla Lane’s classic sitcom focuses on a frustrated housewife and her male companion, whose friendship borders on romance, and their will-they-won’t- they antics had viewers gripped.

I had already heard the song Love Is Like A Butterfly before I realised that it was also used as the theme song for Butterflies as it happens to be one of my mother’s favourite songs and she used to sing it all the time. It was a hit in 1974 for American country music legend Dolly Parton, although the version that was used for the opening credits was recorded by British singer Clare Torry, especially for Butterflies. This version was recorded with a band conducted by well-known BBC TV composer Ronnie Hazelhurst.

4. Birds Of A Feather

TITLE: What’ll I Do?

COMPOSED BY: Irving Berlin

SUNG BY:  Linda Robson and Pauline Quirke (from third series onwards)

LYRICS: Irving Berlin

YEAR: 1923

Twenty first century kids will know Birds Of A Feather as an ITV sitcom that’s in its second series. But of course old-timers like myself will remember when the show was first shown on the BBC back in the 1980s and continued until the late nineties. Sisters Sharon and Tracy live in Tracy’s rather luxurious home in Essex while both their husbands are in prison for armed robbery. Tracy’s devastated to be separated from her Darrell, while Sharon couldn’t care less that she’s away from her errant husband Chris. It might sound like all doom and gloom but it is actually hilarious – with the girls’ man-mad neighbour providing much of the entertainment. I never missed an episode of this sitcom when I was growing up.

The show used Irving Berlin’s wonderfully moving What’ll I Do as the theme tune for the first two series. From the third series onwards, a version sung by Pauline Quirke and Linda Robson, who play Sharon and Tracy, was used.

5. Bread

TITLE: Bread Theme Song

COMPOSED BY: David Mackay

SUNG BY: The Bread Cast

LYRICS: David Mackay

Carla Lane had another hit on her hands with this classic sitcom from the 1980s. This used to be on Sunday evenings but I’m pretty certain that some series may also have been broadcast during weekday nights.

The sit-com focuses on the trials and tribulations of the Boswell family and their efforts to muddle through life with very little money – which often resulted in underhand tactics. I thought Grandad was hilarious, and the contempt of the lady from the DSS for the Boswell family was amusing

The theme song was composed by David Mackay and featured the vocals of the cast of Bread.

6. Desmond’s

TITLE: Don’t Scratch My Soca

COMPOSED BY: John Collins

SUNG BY: Norman Beaton

LYRICS: Trix Worrell

This seriously funny comedy was set in a barber shop in Peckham, owned by a Caribbean family, the Ambroses. The shop was a place for many of the local. lively and interesting characters in the show to congregate and share stories. It reminds me of the area of North-West London where I grew up. The local barber shops seemed to be the meeting point for many of the menfolk in our town, and it was very evident that there were more friends and relatives in the  shop than paying customers and it was a place where many of the male members of the community gathered together, and it had something of a social club vibe.

The theme tune was very familiar to us when we were growing up – some of my classmates knew all the words to the song. It had a soca vibe which reflected the Ambrose family’s Trinidadian roots. It was very upbeat and uplifting which reflected the liveliness of the characters and the business of the shop. There was never a dull moment at Desmond’s!

7. Streets Apart

TITLE: Streets Apart

COMPOSED BY: David Mackay

SUNG BY: Neil Lockwood

LYRICS: David Mackay

YEAR: 1988

Sylvie and Bernie were childhood sweethearts who dated and drifted apart, taking different directions in life. They meet almost twenty years later and try to pick up where they left off… but it’s not easy when you’re now different people each with a different set of circumstances.

I love this comedy written by Adrienne Conway. Almost thirty years on, it’s still very watchable – but it makes me yearn for the 1980s! It had been a long time since I first watched the show, but as soon as I heard those opening bars of the theme, it was instantly recognizable and transported me back to my childhood. The lyrics for this tender theme tune are full of longing, wistfulness and second chances. And Neil Lockwood’s amazing vocals do this song justice.

8. Just Good Friends

TITLE: Just Good Friends

COMPOSED BY: Ronnie Hazelhurst

SUNG BY: Paul Nicholas

LYRICS: John Sullivan

YEAR: 1983

Would you seriously consider being friends with your ex? Especially after he jilted you at the alter? Well that’s exactly what Penny Warrender does after her former fiancé Vince Pinner comes back into her life again. The two decide to put the past behind them and become ‘just good friends’ – but the question is, can they ever be just that?

Another one of John Sullivan’s masterpieces, it starred Jan Francis and Paul Nicholas who were huge stars in England back in the 1980s. This sitcom was a firm favourite with my parents so they would regularly tune in, and I do have memories of watching the final ever episode. Nicholas was already an established theatre actor and agreed to do the vocals for the track, written by Sullivan.

9. Watching

TITLE: What Does He see In Me?

COMPOSED BY: Charles Hart

SUNG BY: Emma Wray

LYRICS: Charles Hart

YEAR: 1987

Merseyside couple Brenda and Malcolm are very much chalk and cheese. They come from different backgrounds, have different interests, and completely different personalities. The only thing they have in common is watching: Brenda watches people; Malcolm watches people. It’s no wonder their relationship is more off than on.

I loved watching (scuse the pun!) this sitcom back in the nineties and loved the theme tune which my sister and I used to sing (quite badly!) I think the lyrics are quite fitting for the show. It sums up the fact that Brenda and Malcolm are very different, aren’t exactly consumed with lust and passion, but love each other and belong together.

 

10. Chef

TITLE: Serious Profession

COMPOSED BY: Omar

SUNG BY: Omar

LYRICS: Omar

Now here’s a sitcom I used to watch but totally forgot about! If you think Gordon Ramsay’s got a mouth on him, wait til you meet acclaimed chef, Gareth Blackstock, who struggling to balance his home life with his wife Janice and the demands of running a top restaurant, often gives in to temper tantrums in the kitchen.

The theme tune to Chef! has got to be the coolest theme tune I’ve ever heard to accompany a television show. Funky and upbeat, it’s guaranteed to get you up and dancing, not just singing along. Although of course when it features the smooth vocals of soul superstar Omar, how could it be anything other than cool?

 
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Posted by on January 17, 2015 in Comedy Shows, Name That Tune!, TV Shows

 

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10 TV Show Theme Tunes We Loved Singing Along To

I grew up watching a lot of TV and I do mean a lot! It’s strange because now, in comparison to my childhood years, I hardly watch TV at all. I put that down the fact that most shows today just aren’t as top quality as the programs I grew up. Yeah, I know – I’ve been accused of being biased many times!

However it’s not just the shows themselves that are memorable – the theme tunes and opening credits of many of this shows have made an impact and are equally unforgettable. So here’s my list of the TV theme tunes that we didn’t just like listening to but we sang along with as well.

1. NEIGHBOURS

Title:Neighbours

Composed By: Tony Hatch

Lyrics: Jackie Trent

Performed by: Barry Crocker

Year: 1985

I don’t care what anyone says – the Neighbours theme tune may have been revamped and jazzed up a million times, but for me, the original theme tune is undoubtedly the best.

Even now I get all nostalgic when I hear it. It reminds me of my childhood years; the early days of the Aussie soap, and a time when Neighbours was extremely addictive. Whether it sounds dated or not is debateable, but I think it has a certain charm and quality that the current one just doesn’t have. Sorry! Barry Crocker’s vocals suit the song perfectly. It makes you want to be good neighbours with your, er, neighbours!

The song was created by the legendary Hatch and Trent. Jackie Trent explained that the soap was originally going to be called Ramsay Street, but it was a little too close to Coronation street, which at the time 9and still is) Britain’s longest running soap. The song Jackie penned with her husband Tony was called Neighbours – which was the name that they eventually settled on for the soap. So the theme really did have a huge impact on the actual soap.

2.HOME AND AWAY

Title: Home And Away

Composed By: Mike Perjanic

Lyrics: Mike Perjanic

Performed by: Mark Williams and Karen Boddington

Year: 1987

Neighbours’ rival Aussie soap also had a fantastic theme song. It was a show about foster families and second chances, and the lyrics of the song fit in perfectly with the show’s concept. I stopped watching Home and Away a long time ago, mainly because it just wasn’t the same without Bobby, Pippa, Fisher and co. What I loved about the original were the vocals of Mark and Karen which were extremely powerful and full of emotion.

3. DIFFERENT STROKES

Title: It takes Diff’rent Strokes

Composed By: Alan Thicke, Gloria Loring and Al Burton

Performed by: Alan Thicke

Year: 1978

This American sit-com was a huge family favourite, and was very popular when I was growing up. It was on television a lot when I was a child but I wasn’;t old enough to fully appreciate it. But I began watching Different Strokes again about a decade a go, and Arnold’s capers had me howling. And I fell in  love with that theme song all over again. Incidentally Alan Thicke, who composed the theme song, is the father of singer Robin Thicke.

What? You don’t like the song?

What you talking about, Willis?

4. ONLY FOOLS AND HORSES

Title: Only Fools And Horses and Hooky Street

Composed By: John Sullivan

Lyrics: John Sullivan

Performed by: John Sullivan

Year: 1982

It’s not just the show that’s iconic – the theme song is too. Well theme songs I should say as the opening and closing credits featured different songs. Only Fools And Horses was used for the opening credits, while Hooky Street was used for the closing.  The Beeb insisted on using a saxophone instrumental by Ronnie Hazelhurst for the credits of the first series. But when it came to the second series, the show’s creator, John Sullivan, put his foot down and told the BBC to use the theme songs he had created. And he was right to do so as both songs totally capture what the show’s about: Cockney wide-boys, wheeling and dealing, the market trade and selling hookey gear. For years I was convinced that it was Nicholas Lyndhurst -aka Rodders – who was singing the show’s theme songs but it wasn’t. Both songs feature the show’s creator, John Sullivan’s vocals. But the two sounded so similar, I was sure that there was a mistake in the credits and it really was Nicholas Lyndhurst.

5. FRIENDS

Title: I’ll Be There For You

Composed By: David Crane, Marta Kauffman, Michael Skloff, Allee Willis, Phil Solem, and David Wild

Performed by: The Rembrandts

Year:

Probably the most famous theme song in the world. It took six people to write this song, and it’s the only hit that The Rembrandts are famous for which seems a little sad, but then that’s their fault for co-creating a song so amazing that it was all the fans wanted to hear. The theme song was just under a minute long but a year later it was released as a three minute pop song. The video for the song features hilarious antics from the Friends cast.

6. GLADIATORS

Composed By: Muff Murfin

Year: 1992

Everyone at school was Gladiators crazy – and this was long before Russell Crowe came along! This contest which tested competitors sporting abilities was massive back in the early ’90s. We didn’t have X-Factor then – this was our Saturday night viewing. And the theme song did just the right job in getting you hyped up.

7. SURPRISE, SURPRISE

Title: Surprise, Surprise (original) and Life Is Full Of Surprises

Composed By:

Lyrics:

Performed by:

Year:

A show hosted by Cilla Black which was all about… surprises! It was a show in which ordinary, unsuspecting people were reunited with long-lost friends or relative, or were rewarded for some kind deed. I remember in one episode, I spotted an acquaintance in the audience as a member of her family was there to be ‘surprised.’ Cilla used to open and close the show by singing the theme songs. There were two theme tunes as I recall. The original one was slower and was written by Kate Robbins.There was a more fast paced one and a much slower one. After series eight, there was a new more up-tempo theme tune. I remember how kids at school used to change the lyrics of the slower theme song:

“Surprise, Surprise… you’ve got tomato ketchup between your eyes…” Oh those were the days!


8. THE GENERATION GAME

Composed By: Ronnie Hazlehurst

Performed by: Bruce Forsythe

Year: 1971-77, 1990-94

Oh how I loved this show! And how I miss it. Back in the early ’90s, Friday nights were Generation Game nights. I never got to watch The Generation Game when it was hosted by Bruce Forsythe and Anthea Redfern, or by Larry Grayson and Isla St. Clair. Bruce Forsythe was at the helm again with Rosemarie Ford when I started watching it. The theme tune as I knew it was a revamped version of the original tune. I know that I liked it, but I’m sure that viewers who watched the show first time around probably preferred the original.  I’ve  heard that it’s making a comeback with Miranda Hart as the host. I just hope that they keep that fantastic theme song.

9. BAYWATCH

Title: I’m Always Here

Composed By: Jimi Jamison, Cory Lerios, John D’Andrea and Joe Henry

Performed by: Jimi Jamison

Year: 1989

I’m sure that this theme is as familiar as the red swim wear that featured on the show. It’s probably up there with the Friends theme as the most easily recognised and well-known – even after all this time. The vocals were by Jimi Jamison of legendary rock outfit, Survivor.  At my friend’s hen party last year, the DJ actually played the Baywatch theme – cue much hilarious beach running antics!

10. THE LITTLEST HOBO

Title: maybe Tomorrow

Composed By: Terry Bush

Lyrics by: John Crossen

Performed by: Terry Bush

Year: 1979

I loved this Canadian show when I was growing up. It was about a dog who travelled from place to place, having adventures, and helping those in need. Great family entertainment. My mate Dave aka Pancake Lady, posted the lyrics from the theme on Facebook recently so I have her to thank for jogging my memory.

 

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Still Open All Hours: Nostalgia At It’s Best!

BBC viewers were treated to a mini trip down memory lane on Boxing Day this year in the form of a special one-off episode of Still Open All Hours based on the popular sit-com of the 70s and 80s Open All Hours. The original series starred the late Ronnie Barker and David Jason as the uncle and nephew team running a grocery store in Doncaster.

Over the years in our household, Open All Hours was hardly ever off the box. Even when the show ended in 1985, we would watch an endless stream of reruns and we even bought Dad the DVD collection one Christmas. It was definitely one of his favourite comedy programs and to this day he still laughs his head off as though he’s watching it for the first time. In fact my siblings used to joke that Dad was an awful lot like Arkwright, Ronnie Barker’s character – but a lot more generous!

Open All Hours was a relatively slow moving sit-com but that just reflected the pace of life in the sleepy Yorkshire suburbs and the fact the most of the customers who frequent the shop are old-fashioned, homely characters of a ‘certain age’. I didn’t always get the jokes due to being so young but I knew the show wasn’t low on humour.

Writer Roy Clarke who penned the original series has now brought the show into the twenty-first century with Granville, played by Jason, stepping into Arkwright’s overalls after having inherited the shop from his late uncle, and he is now assisted by his son, Leroy (James Baxter.)

Although Still Open All Hours is set in 2013, it could well be back in the 70s as nothing seems to have changed at all. Very little is different about the shop which is still called Arkwright’s; I’m sure the overall’s Granville’s wearing could very well be the same ones Arkwright wore; the clapped out old bike along with the cash register which is in danger of guillotining your fingertips are still there. Nurse Gladys Emmanuel, Mavis and Mrs. Featherstone are still regulars, and the put-upon errand boy still exists but it’s now Leroy instead of Granville – with the former finding a novel way to make deliveries thus avoiding the dodgy bike!

 

I’m glad that this new episode didn’t stray too far from the original formula which is what sometimes happens when a show returns after a hiatus of several years. The show’s distinctive theme tune, “Alice, Where Art Thou?” appears to have remained unchanged and not revamped for the twenty-first century (thank goodness!) And not only was it great to see some of the old regulars but I’m thrilled that they were played by the permanent cast members from the original series: Lynda Baron (Nurse Gladys) Stephanie Cole (Mrs. Featherstone and Maggie Ollerenshaw (Mavis.) It would have been lovely, however, to have seen the return of the milk woman, with whom Granville had once had a romantic liaison. Mrs. Blewett’s absence was also noted but Kathy Staff, the actress who played her had sadly passed away back in 2008. It just wouldn’t have been the same to see another actress step into her shoes.

Still Open All Hours saw Granville unsuccessfully trying to shift copious amounts of anchovy paste (“They’re staunch potted meat round here, ” declared Nurse Gladys) and eventually managing to sell a couple of tins by claiming that they had aphrodisiac properties. This echoes Arkwright’s ginger cake situation which many viewers remembered (not me, so I’m going to have to watch Open All Hours Again!) And whereas Granville had to grow up dealing with an absent father, history repeats itself slightly with Leroy having to deal with an absent mother after having been abandoned by her as a child. And of course, shop closing time just before the credits still exists with the voice over that begins “It’s been a funny old day…” Classic!

However, the presence of new characters prevented the old format from becoming tired and stale. Granville now has a grown-up son Leroy, who helps run the grocery store with him. But unlike his father, he has more success with the ladies. There are also ethnic characters – something that was missing from the original series – which reflects the cultural diversity in Yorkshire. ‘Wet’ Eric provided some of the biggest laughs in this episode, and we also met Mrs. Agnew, Granville’s potential new love interest and the tea salesman among a whole host of characters.

Fans of the original show didn’t have time to miss Arkwright because although he sadly wasn’t physically present, writers made sure he was very much there in spirit. His overalls are still in use; there is a photo of him hanging up at the back of the shop which shows him looking almost demonic as he watches over his beloved shop; Granville’s impersonation of his late uncle’s stammer was spot on, and then there are the constant references to Arkwright by Granville, Nurse Gladys and Mrs. Featherstone. In addition to all this, it seems that as well as inheriting Arkwright’s shop and overalls, Granville seems to have morphed into his late uncle. He’s become as penny-pinching and desperate to make a sale as Arkwright. He also harps on about the merits of the old cash register and bike to Leroy in an attempt to get him to use them – but won’t go near them himself! As Nurse Gladys declared, “You’re an old tightwad like your uncle… he trained you well.” The transformation of Granville’s character is understandable on many levels. However, it means that while a great job was done to ensure that we didn’t feel Arkwright’s absence – I did miss Granville; the old Granville who was somewhat bumbling and a bit of a dreamer.

There were a few things that I found strange. Granville says to Nurse Gladys that in time Arkwright would have married her but I’m almost certain that Arkwright did marry Gladys. I remember an absolutely hilarious episode where Arkwright and Gladys got married – while Arkwright wore Gladys’s trousers! Furthermore, the character Cyril who was originally played by Tom Mennard is now played by Kulvinder Ghir!

But there was still so much to like about Still Open All Hours: the array of famous faces including Ghir, Nina Wadia, Sally Lindsay, Brigit Forsyth and Johnny Vegas who played ‘Wet’ Eric; the ‘aah’ factor came in the form of a dog who was sent on a shopping errand and Mrs. Featherstone taking Granvile by surprise with an unexpected snog was hilarious. Admittedly, there wasn’t much of a strong storyline; it was more of an introduction to the characters and a summary of the events that had occurred in Granville’s life but then what more could be done in a thirty minute slot? David Jason is adamant that Still Open All Hours is a one-off – there will not be a series following. However according to Wikipedia “If viewer reaction is favourable, the programme may return for a full series in 2014.”            

We’ll have to wait and see who’s right. Reviews have been fairly mixed but for the most part it seems to have been very well received and many viewers have said that they thoroughly enjoyed it; it was a great piece of nostalgia; and Ronnie Barker would have been proud. I agree with all of the above and feel it was definitely the best thing on TV during the festive season. How would I feel about an entire series? I have mixed feelings about it having seen numerous comebacks and spin-offs being ill-recived but given the success of the one episode, it could work. Roy Clarke apparently wrote the script for Still Open All Hours in two weeks – and it’s been brilliant. He has done a fantastic job – I always did say the old comedies are the best.

 

 
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Posted by on December 28, 2013 in Comedy Shows

 

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Farmhouse Kitchen: Comfort Food Television

farmhousekitchen

My love of cookery shows goes back to when I was about five years old, thanks to my mum who was a huge fan of any program that showed you how and what to cook. She would watch every single one religiously and would sit there making notes. As a result, I developed an interest in them too.

My absolute favourite – of which I still have fond memories – is the iconic (in my opinion at least) Farmhouse Kitchen. This was a cookery series made by Yorkshire Television and broadcast by ITV during weekday afternoons. I used to watch it with Mum when I returned home from school. The show was aimed at housewives and homemakers and provided demonstrations of well-known, traditional British fare long before anyone had ever heard of sun-dried tomatoes, balsamic vinegar and salted caramel.

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Farmhouse Kitchen was first shown in 1971 and ran until 1989. It was originally  presented by Dorothy Sleightholme until her sad demise in a car accident. Grace Mulligan then took over as the show’s host. There were also occasionally  guest cooks which included Pauline Sykes and the queen of cakes herself, Mary Berry. Viewers were even invited to write in with their own recipes which were then (if selected) demonstrated for the viewing public.

Grace Mulligan

Grace Mulligan

If ever there was such a thing as comfort food television, then this would be it. No fuss, no frills, no obscure ingredients; just simple and inexpensive old-fashioned home cooking. There was something so warm and homely about Farmhouse Kitchen from the country style kitchen to the presenters to the very melodic theme tune. In fact every time I hear that theme tune, it takes me back… It contains a kind of nostalgic 1970s charm and was aptly called ‘Fruity Flute’ and was played by The Reg Wale Group.

fkb

I know that times change and nothing lasts forever but I can’t help but compare this legendary show to cooking programs today where the food and art of cooking sometimes takes second place to cultivating a celebrity image and television career for the chef. And let’s not even get started on the expletives used by certain unnamed chefs and celebrity cooks in a bid to look, I don’t know, cool? Because I don’t think cool, funny or entertaining when I hear it. Just get on with showing us how to cook!

Baked goodies On Farmhouse Kitchen

Baked goodies On Farmhouse Kitchen

It’s a shame that Farmhouse Kitchen isn’t repeated or that there’s anything that remotely resembles it but no doubt if there was the majority of viewers would consider it quaint and outdated – which I suppose goes to show that I like quaint and outdated! Books were available which accompanied the series and I would love to buy a copy.

Here’s that delightful theme tune (the theme had been revamped although judging by some of the comments I’ve read, it would appear that most people preferred the original.) I could listen to it all day and never tire of it. Bliss!

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Posted by on August 25, 2013 in Name That Tune!, TV Shows

 

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